The Paris Trap
(eBook)

Book Cover
Average Rating
Published
Faber & Faber, 2014.
Format
eBook
ISBN
9780571315499
Status
Available Online

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Language
English

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Citations

APA Citation, 7th Edition (style guide)

Joseph Hone., & Joseph Hone|AUTHOR. (2014). The Paris Trap . Faber & Faber.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Joseph Hone and Joseph Hone|AUTHOR. 2014. The Paris Trap. Faber & Faber.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Joseph Hone and Joseph Hone|AUTHOR. The Paris Trap Faber & Faber, 2014.

MLA Citation, 9th Edition (style guide)

Joseph Hone, and Joseph Hone|AUTHOR. The Paris Trap Faber & Faber, 2014.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID4ef45895-6134-5970-04b6-92d94ba5135b-eng
Full titleparis trap
Authorhone joseph
Grouping Categorybook
Last Update2023-09-11 21:01:21PM
Last Indexed2024-04-27 03:45:47AM

Hoopla Extract Information

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    [synopsis] => Joseph Hone's The Paris Trap, first published in 1977, saw him step aside from his sequence of 'Peter Marlow' novels to offer a different kind of political thriller.Jim Hackett and Harry Tyson first met in Paris, in days of hope - Hackett a promising actor, Tyson a budding writer. Twenty years later, their dreams soured, they are reunited in Paris for a substantive project: Hackett, now a movie actor, has been cast in a major film derived from a spy novel authored by Tyson, who now works for British intelligence. But the plot of the film, concerning a Palestinian terrorist cell, is about to be overtaken in the dramatic stakes by real events.'A fine example of a vastly popular genre - the thinking man's thriller.' Irish Times'Through a distorting filter of betrayals, private and public, Joseph Hone conducts us to a final scene so dire that Hamlet by comparison leaves the stage tidy.' Guardian
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